Arif, Moch. Choirul (2016) Komodifikasi barongsai menjaga tradisi menegosiasi pasar. Jurnal Kawistara, 6 (1). pp. 34-46. ISSN 2355-5777
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Abstract
After the fall of the Soeharto regime was like the fresh air for the ethnic Chinese in Indonesia in articulating cultural identities, especially after the issuance of Presidential decree Number 6 of 2000 which revoked Presidential Instruction Number 14 of 1967 on religion, beliefs, and customs of China. With that Presidential decree, Chinese people were free to celebrate the religious ceremony and customs, as well as featuring Barongsai (Lion Dance) in front of public. Consequently, Barongsai became popular
and transformed into a cultural icon as well as “obligatory menu” for city event. Barongsai allegedly underwent commodification along with its popularity. However, that signal was responded by Barongsai activists as the consequence of efforts to survive and conquer the market. Through the mindset of yin and yang, commodification discourse is abrogated and appropriated by Barongsai activists, so commodification is not just an effort to maintain and preserve the ancestral cultural heritage, identity, and cultural pride due to the accomplishments achieved.
Item Type: | Article |
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Creators: | Creators Email NIDN Arif, Moch. Choirul rul_rek@yahoo.co.id UNSPECIFIED |
Uncontrolled Keywords: | Barongsai; commodification; Yin and Yang |
Subjects: | 16 STUDIES IN HUMAN SOCIETY > 1608 Sociology > 160810 Urban Sociology and Community Studies 22 PHILOSOPHY AND RELIGIOUS STUDIES > 2204 Religion and Religious Studies > 220405 Religion and Society 22 PHILOSOPHY AND RELIGIOUS STUDIES > 2204 Religion and Religious Studies > 220407 Studies in Religious Traditions (excl. Eastern, Jewish, Christian and Islamic Traditions) |
Divisions: | Karya Ilmiah > Artikel |
Depositing User: | Amira Oribia Wanda Sasmita |
Date Deposited: | 30 Nov 2021 05:03 |
Last Modified: | 30 Nov 2021 05:44 |
URI: | http://repository.uinsa.ac.id/id/eprint/1853 |